Ideas and Opinions | Milo
In this piece Milo shares his thoughts on the natural beauty of Iceland, and the impact the Golden Circle had on him
The first words I heard from my
friend Moose as our plane skidded to a stop atop the runway was: “I expected
more snow.” Some might consider those to be a “famous last words” example,
however thankfully we are both still very much alive. Indeed once we left the
airport we found ourselves constantly caught in the snow, from the tips of our
toes to the flakes that fell upon our faces. Snow coated cars, streets, buildings
and monuments; perhaps this is why the statue of Leifur Eiriksson stands before
Hallgrímskirkja in hardy garbs because even sculptures must still contend with
the burring Icelandic snow.
Staue of Leifur Eiriksson |
The first night spent in Iceland
was a winter wonderland, however every additional second, minute and hour spent
dowsed in the snow wearied me. The snow became something that would ruin my
only decent pair of trousers if I wasn’t careful, it forced me to wear two
pairs of socks, and to dry and air out my scarf and hat in the hopes of
reducing the damp odour that had soaked into my clothing.
I grew sick of the snow, and it
became the obstacle it had also been back in London. At least it was until we
hit the open road and left Reykjavik to discover the Golden Circle on our own
terms. Once free of the civility of the city, the snow once again recaptured its
spirit and temerity.
Sight after astounding sight
paused me in my thoughts. The black, jagged rock. The thick padded blanket of
snow that submerged shrubs, trees and mountains without discrimination. The
terror and joy of seeing pages of blank white in every direction. These
thoughts cumulated into an instinctual utterance on my behalf: “Iceland is the
land that God forget to colour in” because that is how it appeared to my eyes. There
is an unfinished quality to the landscape surrounding Reykjavik, random house’s
dot the landscape, gates stand without fences attached, towns and other settlements
are scrubbed clean of any people. Tiny waterfalls and dismembered attractions,
all cut off from the heart of its capital and left to function without mindfulness,
malice or menace.
I’ve heard stories of the
Australian outback, of its threat and plethora of awesome and carnivorous beasts
that can kill and maim, however the roads and rivers the line the Golden Circle
offered no such threat. It was scary at times to traverse this dank expanse
alone, but never due to any heightened animal sensibilities or fears of attack.
This wilderness wasn’t wild, it wasn’t anything. It was space and space alone. When
we arrived at Geysir we found a number of other tourists which broke the spell
of silence somewhat, however aside from the car park and the gift shop there
was still a curious simplicity to the landmark. A number of signs dotted the
walk up to it that warned of the great heat of the surrounding waters and the
geyser itself, however aside from a simple rope to denote the pathway, there
was no other form of governance or protection. We were left to walk the road to
Geysir without regulation, to the extent that I could have jumped into the
spitting pools had I wanted.
Geysir Post "Performance" |
After seeing Geysir we travelled
the short way to Gullfoss, Iceland’s largest waterfall, and it was magnificent.
The size and the power of the gushing water was not sufficiently captured by my
mobile phone camera and neither was it contained by my mortal ears and eyes. Moreover,
in the same fashion as Geysir, there was very little to stop me from jumping over
the side of the railing and rushing forwards to greet Gullfoss in a more intimate
fashion. Of course common sense and a fear of heights prevented any foolishness
on my behalf, and yet I was also stilled by something more primal, something
more primitive. The sights reverted my personified imagining of God into something
more animistic, where I felt awed on a visceral rather than psychological
level.
It is in this sense that I term
Iceland the land that God forgot to finish because I felt unfinished as a
person as a I wandered its crevasses and natural wonders. I felt reduced to
awe, incapable of either stress or prophesy, and rendered as a temporary scrawl
on this otherwise untouched canvas.
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